The House Organ

The House Organ logo which is a black and white image of an old harmonium/pump organ.
A very basic line drawing scrawl of a rudimentary dome. The band name (Jehova’s Fitness) and title (Symbolism of Domes) are written in the lower half weirdly running vertically for no reason other than it’s goofy.
Multiple exposures of the 'Contingent Pre-amp' paper circuit board are overlaid on top of each other. The centre of the image is blurry with mutliple exposures but vague symbols and components can be discerned. Coming off of the central board, a mess of wires but semi-transparent, owing to the layering.
Greyscale and blurry (via double-exposure) scene of a metal bowl and colander, upturned and atop floor and rack toms. The rack tom is ontop of a small table. A bass drum, some chair legs, and general practice space clutter in the background.
Gloomy and grainy black and white photo of a small mixing desk on top of a small table with cables coming out of it. In the background are a bag, small case, and stage light. The background is a block wall with industrial sockets and conduit.
Cluttered table-top of electronic audio equipment, wires, metal objects, cellotape, e-bow, and rubber band. In the background, a guitar is resting across the tops of two drums. A singing bowl is balanced on the guitar strings.
Live shot from The Sons of David Ginola performing at Hatch in Sheffield. They are hunched over a table-top of equipment and cables. A phone camera on a tripod is in the foreground. The duo are picked out by dots of light from a projection. All in black and white.
Greyscale double exposure of trees and water from around Treptow, Berlin
Black and white photo-collage. A weird angled circular tower block, several cyclists heading towards the viewer, railings on a bridge, a childs arm holding a toy aeroplane, the cloud from an explosion, layers of distorted geometry.
On a white background, a jaunty angled black and white crab holds a cigarette. Below it, in messy, black ink, the band name and album title are daubed.
Nablus at night. Photographed from a vantage point on the hills of Jabal Jirzim a sprawl of illuminated appartment blocks and other buildings fill the lower half of the scene. Above, smokey clouds. The combination of black and white and cloud gives much of the image a slight haze. The word Nabulsi is rendered in the bottom right corner.
A huge pile of slate taken on a walk in Wales. In moody black and white.
A wall of ship figureheads at Greenwhich Maritime Museum.
In the centre of the frame is a Christian relic; an ornate vessel, reportedly containing a bone fragment of a saint or Jesus or something (I can't remember), and topped by a hand. The image is in black and white with high contrast so the relic stands out against the blackness. Just behind, so small as to be almost indiscercnable, are two crucifixes.
Greyscale scene inside Canary Wharf Shopping Centre. The frame is filled with large pixelated sections where the crowd of shoopers have been anonymised using privacy preserving tools.
Objects arranged on the gallery floor at BRITTO Arts Trust in Dhaka, Bangladesh. There are an assortment of small, metal bowls, a pringles tube, head massager, and ektara (one-stringed instrument) are flanked by two reed brushes standing on end and giving off wiry shadows. A tinsel garland is off to the front. The shot is in fairly low-light and greyscale, emphasising the graininess of the image.
Centring the frame are a cymbal, cassette player, and singing bowl with small chain draped over its side. They are nestled amongst tall grasses. All in greyscale.
Halftone dotted black and white photo taken in Sierra Leone. A tall wall has the words 'STOP! IMMIGRATION CHECK POINT' painted on it. Below is a large poster saying 'EBOLA IS REAL. PROTECT YOURSELF, PROTECT YOUR FAMILY, PROTECT YOUR COMMU' (with community running out of frame).