This is a mixture of improvised recordings, loose compositions and archival bits and bobs. Snippets of interviews; background noises from gigs and travels; awkward moments from the cutting room floor; twigs rattled in a guitar; shuffling things around rooms; recording ruined by wind; and a never finished ‘pop’ song.
I’ve been sitting on it for some time now.
Track 1: Additional vox: Holly Royston-Ward
Track 2: Tempelhof wind unintentionally recorded with the assistance of Mathew Johnson (who also let me use the guitar I’m sticking bits of twigs and leaves in and he’s still picking them out to this day so mega-thanx)
Track 4: Additional guitar: Mathew Johnson Ugandan Harp: Little Bosco
Track 5: Partner: Holly Royston-Ward Interviewee: Michael McCann
The work is also privately published in an edition of 25 (see https://mroystonward.bandcamp.com/album/dissolution-matrix-in-afterthought-of-skies.
This is a free/donation digital edition intended as archive and alternate distribution.
On ‘What the sound made to check out a fan of the heavily amplified sound of the child is the occasional turn-on. But from the Diva. Sure the natural; a hobos, gardeners and moan like a inky smear. A sound is make this time I try to create a ‘lost’ futurist & sisters over in this tape but I know they can be for?’ This USP for which has been available but I realise I was a bit of the coalesce from bricks, On with the little sound of the true-born fidget.